STUDIOS, LABELS AND RIGHTS HOLDERS

Scoped to the catalogue, not to a plan.

An archive is not a subscription problem. What it can carry, how many channels it supports and what each sustains are questions with different answers for every catalogue, so we answer them before we quote. No price on this page is the honest position.

What we look at first How much footage, in what condition, with what rights. Which channels the archive can carry, and what cadence each one sustains without thinning out.
What you get committed Dedicated capacity, output committed per quarter, an account team, and channels operated end to end. You own the channels, the audience and the record.
What you hear about Perception watched continuously around your properties. When something starts moving, a response brief reaches your team in minutes with the sources ranked and the call still yours.
How it is priced On committed output and operated channels, quarterly. Not per clip, not per seat, and never on a rate card that ignores what your catalogue actually is.

The first conversation is a scope, not a pitch.

Twenty minutes. We look at the catalogue before we speak and come back with what it can carry, what it would take, and a number. You leave with a plan whether or not you work with us.